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Spain
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\version "2.19.80" | |
\include "LilyJAZZ.ily" | |
\include "jazz-chords.ily" | |
\include "comp.ily" | |
\paper { | |
top-margin = 10 | |
bottom-margin = 10 | |
print-page-number = ##f | |
%%% Footer Title and Page | |
oddFooterMarkup = \markup{ | |
\fill-line{ | |
\center-column{ | |
\vspace #2 | |
\concat { | |
\fontsize #-2 \fromproperty #'header:title | |
\fontsize #-2 " " | |
\fontsize #-2 \fromproperty #'page:page-number-string | |
\fontsize #-2 " / 2" | |
} | |
} | |
} | |
} | |
evenFooterMarkup = \oddFooterMarkup | |
tagline = ##f | |
page-count = #2 | |
annotate-spacing = ##f | |
} | |
\header { | |
title = \markup{\bold"Spain"} | |
composer = \markup{\bold"Chick Corea"} | |
tagline = ##f | |
} | |
global = { | |
\time 4/4 | |
\numericTimeSignature | |
\key b \minor | |
\tempo "Samba" 4=240 | |
\override Score.MetronomeMark.padding = #5 | |
} | |
chordNames = \chordmode { | |
\global | |
\override Score.RehearsalMark.self-alignment-X = #RIGHT | |
\mark \markup{ \fontsize #2 \box "I" } | |
\bar ".|:-||" | |
\repeat volta 2{ | |
|r1 | s1 | e1:m7 | s2 fis2:sus4 | s2 fis:7 |s1 | \break | |
\bar "||" | |
\mark \markup{ \fontsize #2 \box "A" } | |
g1:maj7 | s1 | fis:7 | s1 | | |
e1:m7 | a:7 | \break | |
d:maj7 | g:maj7 | cis:7 | fis:7 | | |
b4.:sus4 b8 s2 | s1 | | |
\bar "||" | |
\break | |
\mark \markup{ \fontsize #2 \musicglyph #"scripts.segno" \fontsize #2 \box "B" } | |
r1|s1|s1|s1| | |
s1|s1|s1|s1| | |
s1|s1| | |
} | |
\alternative{ | |
{ | |
g2:maj7 fis4.:7 b8:sus4 |s1 | s1| | |
} | |
{ | |
g2:maj7 fis4.:7 b8:sus4~ | | |
} | |
} | |
\break | |
\mark \markup{ \fontsize #2 \box "C" } | |
g1:maj7| s1| s1| s1| fis1:7 | s1 | s1| s1| e:m7 | s1 | a:7 | s1 | | |
d:maj7 | s1 | g:maj7 | s1 | cis:7 | s1 | fis:7 | s1 | b:m | s1 | b:7 |s1 | | |
e1:m7 | a:7 | d:maj7 | g:maj7 | cis:7.5- | fis:7 | b:7sus4 | b:7 | | |
\bar "||" | |
\mark \markup{ \fontsize #2 \musicglyph #"scripts.coda" \fontsize #2 \box "D" } | |
|g2:maj7 fis4.:7 b8:sus4| | |
\repeat volta 2{ | |
g1:maj7 | s1 | s1 | s1 | fis:7 | s1 | s1| s1| \break | |
e:m7 | s1 | a:7 | s | d:maj7 | s | g:maj7 | s | \break | |
cis:7.5- | s | fis:7 | s | b:m7 | s |b:7 |s | \break | |
} | |
\mark \markup{ \fontsize #2 \box "E" } | |
e1:m7 | a:7 | d:maj7 | g:maj7 | cis:7 | fis:7 | b:7sus4 |b:7 | | |
\bar "||" | |
g1:maj7 | fis:7 |b:m7 | | |
\bar "|." | |
} | |
melody = \relative c' { | |
\global | |
\override Score.BarNumber.break-visibility = ##(#f #f #f) | |
\improvisationOff | |
\set Staff.midiInstrument = #"clarinet" | |
% I | |
\repeat volta 2{ | |
d'4 fis8 d e d b d | r8 cis a cis r b g4 | a4. a8 r4 a4~ | a2 fis4. fis8 | | |
r4 fis2. ~| fis2 r4 fis4 | | |
% A | |
g4. a8~a4 b4 | cis4. d8~d4 e4 | d4. cis8~cis2~ | cis2 r4 fis,4 | | |
g4. a8~a4 b4 | cis4. d8~d4 e4 | d4 e8 fis8~fis2 | fis2 r8 e4 d8| | |
cis4. d8~d4 e4 | d2 cis2 | cis4. b8~b2~|b2 r2 | | |
% B | |
b4_\markup{\italic "(unison)" } r8 e r4 r8 g8 | fis4 d8 b8 e4 r8 a, | r4 r8 d8 cis4 r4 | a8 b4 g8 r8g d'4 | | |
e4 r8 e g4 fis8 d | b4 d8 b e4 cis8 b | r8 fis e4 r8 fis r b | cis4. ais8~ais8 gis fis4 | | |
r8 cis fis cis gis' cis, ais' a | r8 fis r fis' r4^\markup{ | |
\concat{ | |
\right-column { | |
\fontsize #0 \lower #0 \vcenter \bold {"[D, coda]" } | |
\fontsize #2 \musicglyph #"scripts.coda" | |
} | |
} | |
} | |
fis4 | | |
} | |
\alternative{ | |
{ | |
e2 d4. b8~ |b1~ |b2 r2| | |
} | |
{ | |
e2 d4. b8~ | | |
} | |
} | |
b1~|b1~|b1| \tuplet 3/2 2 { r4 b cis d cis b} | d4. cis8~cis4 ais4~ | ais1~ | ais1 | | |
r2 fis'2 | e4. d8~d4 b4~ | b1 ~ | b1 | \tuplet 3/2 2 { r4 a b cis d e} | d4. e8~e4 fis4~| fis1~ |fis | | |
\tuplet 3/2 { r2 e d } |cis4. d8~d4 e4~ | e1~ |e1 | \tuplet 3/2 { r2 d cis} | cis2. b4~ | b1~ |b1 ~| b2r4 fis|\break | |
g4. a8~a4 b4 | cis4. d8~d4 e4 | d4 e8 fis8~fis2~ | fis2 r8 e4 d8 | \break | |
cis4. d8~d4 e | d2 cis | cis4. b8~b2~ |b2._\markup{\fontsize #2 \bold \italic " D.S.to [B]" } r4 | | |
\pageBreak | |
|e2 d4. b8~| | |
\repeat volta 2{ | |
\once \hideNotes | |
b1_\markup{\italic \large "ad lib" } | |
\repeat unfold 22 { s1 } | |
s1_\markup{\italic "(open repeat)" } | |
} | |
g4. a8~a4 b4 | | |
cis4. d8~d4 e4 | | |
d4 e8 fis8~fis2~ | fis2 r8 e4 d8 | \break | |
cis4. d8~d4 e | d2 cis | cis4. b8~b2~ |b2. r4_\markup{\fontsize #3 \bold \italic " D.C." } | | |
\break | |
| | |
\improvisationOff | |
\once \override Score.RehearsalMark.self-alignment-X = #RIGHT | |
\mark \markup{ | |
\left-column{ | |
\concat{ | |
\fontsize #3 | |
\musicglyph #"scripts.coda" | |
\center-column{ | |
\fontsize #1 "coda" | |
} | |
} | |
} | |
} | |
|e1 \fermata| d \fermata| b \fermata| | |
\bar "|." | |
\stopStaff | |
s1| | |
\bar "" | |
} | |
\score { | |
\header{ | |
% piece = \markup {\bold "Master"} | |
} | |
<< | |
\new ChordNames \chordNames | |
\new Voice = melody \melody | |
>> | |
\layout { | |
ragged-last = ##f | |
indent = #0 | |
} | |
\midi { } | |
} | |
% Comments | |
\markup{ | |
\left-column{ | |
\vspace #2 | |
\concat{ | |
\box "A" | |
\hspace #1 | |
\box "B" | |
\hspace #1 | |
\box "C" | |
\hspace #1 | |
\box "B" | |
\hspace #1 | |
\musicglyph #"scripts.coda" to \box "D" " (open repeat)" | |
\hspace #1 | |
\box "I" | |
\hspace #1 | |
\box "A" | |
\hspace #1 | |
\box "B" | |
\hspace #1 | |
\musicglyph #"scripts.coda" "to coda" | |
} | |
\vspace #2 | |
\concat{ | |
\box "D" | |
\override #'(font-name . "ヒラギノ明朝 Pro") | |
"で入れるとよさそうなやつ" | |
} | |
\hspace #1 | |
"Gmaj7: 9, #11" | |
"F#7: b13, (b9 or #9)" | |
"Em7: 9, " | |
"A7: なんでも" | |
"Dmaj7: 9" | |
"Gmaj7: 9, #11" | |
"C#7alt: なんでも with #11 or b13" | |
"F#7: なんでも" | |
"Bm7: 9" | |
"B7: b13, (b9 or #9)" | |
} | |
} |
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